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Vidéographe’s Christmas Market

December 7 –  from 11am - 4pm
Vidéographe – 4550 Rue Garnier, Montréal, QC H2J 3S7

Free entry!



We’re delighted to invite you to Videographe’s very first Christmas market!

In addition to our publications and DVD box sets, we’ve got lots of surprises in store for you. For one day only, we’ll be selling one-of-a-kind prints, posters and other artifacts from the center’s rich history!

Join us for a glass of mulled wine and a warm welcome. It’ll be a great opportunity to get together before the holidays! We hope to see you there!

© Après les glaciers, Virginie Laganière et Jean-Maxime Dufresne, 2022

FREE PROGRAM ON VITHÉQUE – La Trilogie des Glaciers

VITHÈQUE

Free



With La trilogie des glaciers, Vidéographe is proud to present the work of artists Virginie Laganière and Jean-Maxime Dufresne for the first time on Vithèque. Fragile MonumentAlbedo and Après les glaciers are part of a body of work recently acquired by Vidéographe, which we look forward to share with you.

 

► Click here to access the program [+]

 

This series of three short films examines the evolution of glacial zones in Switzerland, and calls attention to our complex relationships with the natural world. It encourages us to consider ecological futures where states of hybridity, vulnerability and the sublime are intertwined.

The central focus of this trilogy is the Rhône glacier in the Swiss Alps. With an altitude of 3,600 meters, this glacier has, since the end of the 19th century, become both an object of scientific study and a significant popular tourist destination. In an eloquent indication of its anticipated disappearance, part of the glacier’s ablation zone, which is subject to melting, has been covered in geotextile mosaics to protect it from solar radiation. While these reflective coverings can help to slow the acceleration of glacial retreat, this practice nevertheless remains contested by scientists. The draping of these blankets creates an enigmatic setting, evocative of shrouds, or temporary refuges, and represent a man-made attempt to control the landscape in a context of climate change. Fragile Monument, an immersive work of image and sound, explores the temporal scales of the glacier, the water, and the mineral environment, and their interconnectedness with human rhythms.

Albedo offers a visual foray into research on the Rhône glacier at ETH Zurich. Researchers use technical tools to produce reports as part of their surveillance of the glacier, whose fissures and signs of sinking are tangible. The images are accompanied by a scientific explanation of the albedo effect: the unit of measurement for a (snow covered) surface’s capacity to reflect the sun’s rays and protect the ice from melting. The feedback loops initiated by climate change upset the glaciers’ precarious equilibrium, as their skin is extremely sensitive. Observed, studied, and draped, the Rhône glacier is presented as a climate hyper-object, a ‘quasi-artifact whose sublime aura is now overshadowed by the vertiginous reality that it is disappearing’1.

In the final chapter of the trilogy, In the Wake of Glaciers, scientific researcher and glaciologist Jean-Baptiste Bosson shares his expertise. Bosson campaigns for the protection of glaciers and glaciated margins from the perspective of the ecosystem, removed from an anthropocentric point of view. In this film, the gaze extends to different alpine zones in Switzerland that are exposed to glacial receding. Because of this phenomenon, untouched environments have begun to emerge from the ice, prompting a consideration for their protection as potential havens of biodiversity. Against a backdrop of macroscopic shots of air bubbles trapped in the ice, like live archives giving a sense of the glacier’s age, Bosson asserts that the glaciers are sensitive objects that allow us to better understand the history of the climate.

This trilogy was made under the La Becque Principal Residency Program (Switzerland) in 2021-22, with the generous support of the Canada Council for the Arts and the Conseil des arts et des lettres du Québec. It is part of an evolving body of work entitled Radiant Mountain, which, through exhibitions, photographs and videos, explores various imaginings and interpretations of the mountain, encompassing landscape transformations, technological installations, and therapeutic qualities related to the legacy of modernity in the alpine environment.

‘Beyond its monolithic presence, the mountain is a complex hyperobject whose impact reverberates across multiple planes. Structured as a series of interlinked chapters, this project explores the myriad facets of our anthropic engagement with mountains. Nature, technology, architecture, history, hydrology, geomorphology, health, spirituality and wellness intertwine in a heterochrony that brings together human, glaciological and geological time frames.’2

 

– Includes extracts (1 and 2) of an essay by Gentiane Bélanger, curator of the exhibition La Montagne radieuse, Galerie d’art Foreman at Bishop’s University, 2022. Translations taken from the Exhibition Booklet.
 
 

© Compte à rebours, Nelson Henricks, 2007

PUBLICATION ON VITHÈQUE
Nelson Henricks – Prix Robert Forget 2024

DIGITAL PUBLICATION

Free



Produced as part of the Prix Robert-Forget 2024, this digital publication celebrates Nelson Henricks’ important work and the valuable contribution he has made to the history of video art. It comprises essays by authors admired by Henricks who have followed his career closely, and it also offers the artist’s own unique perspective on his practice.

 

► Click here to access the publication [+]

 

“Nelson Henricks’ work is very unique and emblematic of what contemporary artistic practices have to offer. A way of being in the world that at once unmistakably inscribes itself in the present, while acknowledging what has built it, nourished it, stimulated it, made it, so to speak. By developing this language that is so singular to him, Henricks has made a very significant contribution to the evolution of video art in Canada.  In addition to the extraordinary quality of his work, Henricks has made a generous contribution to his community. A contribution that unfolds in many ways, from supporting the development of young artists’ practice in institutional or non-institutional settings, to enriching the discourse around the works of his peers, to contributing to the influence and balance of Montreal’s visual and media arts ecosystem.”

 

– Excerpt from the presentation text for Nelson Henricks’ nomination for the Prix Robert-Forget 2024.

 

FILM PROGRAM

Discover a film program curated by Nelson Henricks, featuring his reflections on his artistic practice and the influential works that have shaped it. Available for streaming until December 15, 2024.

 

  • Compte à rebours, Nelson Henricks, 2007, 30 min  
  • Static, Nik Forrest, 1995, 7 min
  • Three Waltzes, Monique Moumblow, 1998, 7 min 
  • Rut, Yudi Sewraj, 1998, 2 min 30 s
  • Failure, Nelson Henricks, 2007, 7 min 
  • My Heart the Rock Star, Nik Forrest, 2001, 2 min 
  • My Heart the Interior Decorator, Nelson Henricks, 2006, 1 min 49 s
  • January 15th, Monique Moumblow, 2004, 3 min 34 s
  • 00:00:15;00, Nik Forrest, 2002, 3 min 49 s
  • Having Coffee with No One, Monique Moumblow, 2002, 4 min 30 s

 

Click here to watch [+]