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Vidéographe’s Christmas Market

December 7 –  from 11am - 4pm
Vidéographe – 4550 Rue Garnier, Montréal, QC H2J 3S7

Free entry!



We’re delighted to invite you to Videographe’s very first Christmas market!

In addition to our publications and DVD box sets, we’ve got lots of surprises in store for you. For one day only, we’ll be selling one-of-a-kind prints, posters and other artifacts from the center’s rich history!

Join us for a glass of mulled wine and a warm welcome. It’ll be a great opportunity to get together before the holidays! We hope to see you there!

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

© Compte à rebours, Nelson Henricks, 2007

PUBLICATION ON VITHÈQUE
Nelson Henricks – Prix Robert Forget 2024

DIGITAL PUBLICATION

Free



Produced as part of the Prix Robert-Forget 2024, this digital publication celebrates Nelson Henricks’ important work and the valuable contribution he has made to the history of video art. It comprises essays by authors admired by Henricks who have followed his career closely, and it also offers the artist’s own unique perspective on his practice.

 

► Click here to access the publication [+]

 

“Nelson Henricks’ work is very unique and emblematic of what contemporary artistic practices have to offer. A way of being in the world that at once unmistakably inscribes itself in the present, while acknowledging what has built it, nourished it, stimulated it, made it, so to speak. By developing this language that is so singular to him, Henricks has made a very significant contribution to the evolution of video art in Canada.  In addition to the extraordinary quality of his work, Henricks has made a generous contribution to his community. A contribution that unfolds in many ways, from supporting the development of young artists’ practice in institutional or non-institutional settings, to enriching the discourse around the works of his peers, to contributing to the influence and balance of Montreal’s visual and media arts ecosystem.”

 

– Excerpt from the presentation text for Nelson Henricks’ nomination for the Prix Robert-Forget 2024.

 

FILM PROGRAM

Discover a film program curated by Nelson Henricks, featuring his reflections on his artistic practice and the influential works that have shaped it. Available for streaming until December 15, 2024.

 

  • Compte à rebours, Nelson Henricks, 2007, 30 min  
  • Static, Nik Forrest, 1995, 7 min
  • Three Waltzes, Monique Moumblow, 1998, 7 min 
  • Rut, Yudi Sewraj, 1998, 2 min 30 s
  • Failure, Nelson Henricks, 2007, 7 min 
  • My Heart the Rock Star, Nik Forrest, 2001, 2 min 
  • My Heart the Interior Decorator, Nelson Henricks, 2006, 1 min 49 s
  • January 15th, Monique Moumblow, 2004, 3 min 34 s
  • 00:00:15;00, Nik Forrest, 2002, 3 min 49 s
  • Having Coffee with No One, Monique Moumblow, 2002, 4 min 30 s

 

Click here to watch [+]