X letter representing a close icon

© Sara Bourdeau, L'odeur après la pluie, 2016

The smell after the rain at Centre Phi

Projection

August 1rst - 24th, 2016
Centre Phi, Montréal

Free



Talent tout court at the Phi Centre
Sara Bourdeau’s short fiction film L’Odeur après la pluie is presented as a free screening in the new space dedicated to Canadian short films by the Phi Centre and Telefilm Canada. The film, which won the Spira Prize at the Fantasia Festival’s Fantastique week-end du cinéma québécois last July, stars Louise Portal, Pierre Corbeil and Louise Bombardier.

 

Center Phi
407 Saint-Pierre St., Montreal

Opening hours:
Monday: 9am to 5pm
Tuesday to Thursday: 9am to 6pm
Friday: 9am to 8pm
Saturday: 11am to 8pm
Sunday: 11am to 6pm

Free admission

© Compte à rebours, Nelson Henricks, 2007

PUBLICATION ON VITHÈQUE
Nelson Henricks – Prix Robert Forget 2024

DIGITAL PUBLICATION

Free



Produced as part of the Prix Robert-Forget 2024, this digital publication celebrates Nelson Henricks’ important work and the valuable contribution he has made to the history of video art. It comprises essays by authors admired by Henricks who have followed his career closely, and it also offers the artist’s own unique perspective on his practice.

 

► Click here to access the publication [+]

 

“Nelson Henricks’ work is very unique and emblematic of what contemporary artistic practices have to offer. A way of being in the world that at once unmistakably inscribes itself in the present, while acknowledging what has built it, nourished it, stimulated it, made it, so to speak. By developing this language that is so singular to him, Henricks has made a very significant contribution to the evolution of video art in Canada.  In addition to the extraordinary quality of his work, Henricks has made a generous contribution to his community. A contribution that unfolds in many ways, from supporting the development of young artists’ practice in institutional or non-institutional settings, to enriching the discourse around the works of his peers, to contributing to the influence and balance of Montreal’s visual and media arts ecosystem.”

 

– Excerpt from the presentation text for Nelson Henricks’ nomination for the Prix Robert-Forget 2024.

 

FILM PROGRAM

Discover a film program curated by Nelson Henricks, featuring his reflections on his artistic practice and the influential works that have shaped it. Available for streaming until December 15, 2024.

 

  • Compte à rebours, Nelson Henricks, 2007, 30 min  
  • Static, Nik Forrest, 1995, 7 min
  • Three Waltzes, Monique Moumblow, 1998, 7 min 
  • Rut, Yudi Sewraj, 1998, 2 min 30 s
  • Failure, Nelson Henricks, 2007, 7 min 
  • My Heart the Rock Star, Nik Forrest, 2001, 2 min 
  • My Heart the Interior Decorator, Nelson Henricks, 2006, 1 min 49 s
  • January 15th, Monique Moumblow, 2004, 3 min 34 s
  • 00:00:15;00, Nik Forrest, 2002, 3 min 49 s
  • Having Coffee with No One, Monique Moumblow, 2002, 4 min 30 s

 

Click here to watch [+]

 

 

© Nathalie Bujold

Monograph : Work – Nathalie Bujold

PUBLICATION

2024



Publication of OUVRAGE/ WORK 

This monograph, the result of a long period of study delving into Nathalie Bujold’s body of work over more than thirty years, brings together her most emblematic works. The authors whose essays appear here have closely followed her explorations or consider her artistic approach in a spirit of discovery and adventure. Their gaze, both probing and playful, is reflected in their relevant, enthusiastic writings about Bujold’s multidisciplinary and multimedia practice, now focused particularly on video production. The questions they raise cut across disciplines, prompting us to re-examine certain specific aspects of the foundations of her oeuvre. In turn, Dominique Sirois-Rouleau, Nathalie Bachand, Sylvain Campeau, and Édouard Monnet write about works with content related to the concepts of the object, the motif, the image, time, and movement intrinsic to the making of Bujold’s “books.” Taking us through time and including the artist’s incorporation of new technological tools, this nonlinear, often light-hearted overview encourages us to browse and constantly piques our curiosity about the forms of a vision constantly renewed by movement and the fragmentation of the object. (excerpt of the preface of Sonia Pelletier)

 

Artist: Nathalie Bujold
Texts of: Nathalie Bachand, Sylvain Campeau, Édouard Monnet, Sonia Pelletier, Dominique Sirois-Rouleau
Graphic Design: bureau60a, Vidéographe
Edited by: Sonia Pelletier

Publishing: Vidéographe
Parution: May 30 2024

ISBN: 978-2-922302- 10-3 (printed), 200 p.
ISBN: 978-2-922302-11-0 (digital – PDF)

PRICE: $49.00 + tax and shipping

► For purchase, please contact Mathilde Fauteux: distribution@videographe.org

 

BIOGRAPHY

Nathalie Bujold is a multidisciplinary artist, living and working in Montréal. In 1985,  she was one of the founders of the artist-run centre l’Œil de Poisson in Québec City. She obtained an undergraduate degree from Université Laval in 1992, where she won the René-Richard Award. In 2008, she was awarded the Artistic Creation Award from the Conseils des Arts et des lettres du Québec. 2016 she received her master’s degree in Studio and Media Arts from UQAM. Her one-channel videos are distributed by Vidéographe and she is represented by ELLEPHANT gallery.