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© Ella Morton, The Great Kind Mystery, 2022

Labdoc x Vidéographe
Éco_Vidéo_2 – Study Day

PROGRAMMING

November 22, 2023 from 9 am to 6:30 pm
UQAM Pavillon Judith-Jasmin (J) Local J-3855

Free entry



“Éco_Vidéo_2”, Study Day – Environment and moving images (cinema, video, media arts), by Viva Paci and Diane Poitras.

Screenings, artist presentations and lectures. With Nicolas Klotz and Élisabeth Perceval (Nouveau monde! Le monde à nouveau) in dialogue with Viva Paci and Diane Poitras; Jacquelyn Mills (Geographies of Solitude) in dialogue with Genevieve Perron; Hubert Caron-Guay and Serge-Olivier Rondeau (Ressources) in dialogue with Gil Chataigner and Jacinthe Moffatt; Andréa Petitt in dialogue with Frédérique Laliberté. And with students from the Bachelor of Cinema program on the impact of eco-responsible practices on their productions. The day will also include a lecture by Diane Poitras on the non-human and creation, and a program of original screenings presented by Vidéographe.

 

PROGRAMME PRÉSENTÉ PAR VIDÉOGRAPHE : « Est-ce que ça va? » 

Est-ce que ça va? examines our various encounters with the environment in terms of our lifestyles, personal histories, and other social constructs. Whimsical interpretations of nature and the media’s transcription of its activity finally inspire a larger-than-life representation.

 

PROGRAMME (56 min 49 s)

  •         Frances Adair Mckenzie et Alisha Piercy, Howe are you island, 2021, 6 min 08 s
  •         Ella Morton, The Great Kind Mystery, 2022, 16 min 10 s
  •         Manon Labrecque, Entrevue avec une célébrité, 2018, 5 min 01 s
  •         Alain Pelletier, World Trade Opera, 2003, 29 min 30 s

 

SYNOPSIS

Howe are you island, Frances Adair Mckenzie + Alisha Piercy

A critical fabulation, Howe Are You Island? wonders over the troubles of our living ways, to prefigure: which future connection with the environment and other species is possible?

 

The Great Kind Mystery, Ella Morton 

Inuk and Mi’kmaw artist Amy Hull tells stories about growing up in Newfoundland. Her words are illustrated by altered Super 8 and 16mm footage of Newfoundland landscapes, where the distortion of the celluloid reflects the wonder and nostalgia of her relationship with the land.

 

Entrevue avec une célébrité, Manon Labrecque

A philosophical and existential interview with a celebrity that I admire.

 

World Trade Opera, Alain Pelletier

“8 minutes and 50 seconds. We have released 375,000 tons of carbon dioxide into the atmosphere. Trees have produced 171,000 tons of oxygen”. This travelling-film exposes the state of the world through a real-time chronology of planetary processes. World Trade Opéra is a multilingual work in which the artist explores the expressive possibilities of digital tools in order to create a visual and sound incantation. It stretches from global perspectives to micro-perceptions, from the communication of meaning to impenetrable saturation.

 

© Vidéographe

Free on Vithèque: 50 Years of the Moving Image

DIGITAL PUBLICATION

Vithèque



Over the decades, Vidéographe has not only evolved alongside technological advancements but has also served as a catalyst for experimentation, innovation, and artistic exploration. In this spirit, 50 Years of Moving Images pays tribute to this rich heritage, bringing together texts and perspectives from esteemed authors such as France Choinière, Julie Ravary-Pilon, Luc Bourdon, M Mensah and Sam Meech.

► Dive into the history and rich heritage of Vidéographe, now available for free on Vithèque. Click here to access the publication [+]

Technical Support Program

Call for submissions

Open at all times



Application Deadline:

Open at all times.

 

Program Description:

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms. The kind of support offered is tailored to each project depending on the project’s specific pre-defined needs. This support can be used in the research phase, the production phase or in the post-production phase of a project.

 

Artists selected under this program have free access to:

Vidéographe’s editing suites, sound booth, digitizing equipment, and analog and digital video equipment up to a value of 500$. Should the project require additional support thereafter a preferential rate will be applied. Please note that artists are expected to be self-sufficient as Vidéographe’s team can only offer limited hands-on technical support.

 

Artists can also benefit from up to two meetings with Vidéographe’s team to discuss the project and to receive feedback. These meetings could be with different members of the team depending on how far along the project is and on the specific needs of the project and the artist.

 

Eligibility:

Vidéographe is looking to support independent experimental, or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres: video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

 

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.

 

We encourage traditionally under-represented artists to submit a project. Vidéographe embraces the notion of an intellectual community enriched by diversity along many axes, including race, indigeneity, ethnicity, trans/nationality, gender identity and expression, sexual orientation, class, age, religion, ability, and neurodiversity.

 

Evaluation criteria:

Proposals are evaluated on the following criteria:

  • Contribution of the Technical Support Program to project’s development.
  • Thoroughness and relevance of research.
  • Innovative character of the project.

 

Selection process:

Works will be chosen by a selection committee made up of Vidéographe staff members. Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

 

Submissions:

Applications must include the following:

  • The candidate’s contact information and website (if applicable).
  • An artist statement (max 300 words)
  • A project description (max 500 words)
  • A schedule including the overall project timeline and detailed timeline for the Technical Support Program.
  • Technical requirements (please consult our website for more details on our editing suites and equipment).
  • The candidate’s CV (max 3 pages).
  • Visual support material including current or past projects. Maximum of 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable. Up to 15 images, sketches, plans, and mock-ups may also be submitted in PDF format.

 

Applications will be accepted by email only. Please send your file as a SINGLE PDF document including links to videos and other visual support material (max 25MB). Incomplete applications will not be considered nor will files found in the text section of the email.

 

Please write technical support program in the subject heading of your email and send your application to info@videographe.org. An acknowledgment of receipt will be sent within 1 week of receipt.

 

Note that it is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have up to six months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + taxes per year and student membership fees are $25 + taxes per year.

 

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

 

For equity reasons, should you require any accommodations or need to submit your application in an alternative format, please contact the program coordinator at info@videographe.org or at (514) 521-2116 ext: 221.

 

Please allow six weeks for a response. Please note that Vidéographe can only support a limited number of projects per year.