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© Lynn Hershman-Leeson, Seeing is Believing, 1991

Mentorship Program

CALL FOR SUBMISSIONS

Deadline : May 28th, 2024
Vidéographe



Program Description:

Vidéographe’s mentorship program is intended to encourage the professional and artistic development of Montreal-based artists in the early stages of their career. Selected participants in this program will benefit from 16 hours of consultation time with a professional artist in their field. The mentorship program can help in developing a new project, exploring a new technique, or in completing a work-in-progress.

 

Artists selected under this program have free access to:

16 hours of mentorship from an established artist working in their field. Access to Vidéographe’s editing suites, sound booth, digitizing equipment, and analog and digital video equipment up to a value of 1000$. Should the project require additional support thereafter a preferential rate will be applied. Please note that artists are expected to be self-sufficient as Vidéographe’s team can only offer limited hands-on technical support.

 

See all our mentor profiles HERE

 

Eligibility:

Vidéographe is looking to support independent experimental, or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres: video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

 

  • Candidates must possess full editorial and creative control of the project.
  • Candidates must be emerging artists living in Montreal.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.

 

We encourage traditionally under-represented artists to submit a project. Vidéographe embraces the notion of an intellectual community enriched by diversity along many axes, including race, indigeneity, ethnicity, trans/nationality, gender identity and expression, sexual orientation, class, age, religion, ability, and neurodiversity.

 

Evaluation criteria:

Proposals are evaluated on the following criteria:

  • Contribution of the Mentorship Program to the project and to the artist’s professional development.
  • Thoroughness and relevance of research.
  • Innovative character of the project.

 

Selection process:

Works will be chosen by a selection committee made up of professional media artists and Vidéographe staff members. Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

 

Submissions:

Applications must include the following:

  • The candidate’s contact information and website (if applicable).
  • An artist statement (max 300 words)
  • A project description (max 500 words)
  • A motivational letter stipulating the candidate’s desired mentor mentors and why (see all our mentor profiles HERE), as well as the candidate’s expected benefits from this program (max 500 words)
  • A schedule including the overall project timeline and detailed timeline for the Mentorship Program.
  • Technical requirements (please consult our website for more details on our editing suites and equipment).
  • The candidate’s CV (max 3 pages).
  • Visual support material including current or past projects. Maximum of 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable. Up to 15 images, sketches, plans, and mock-ups may also be submitted in PDF format.

 

Applications will be accepted by email only. Please send your file as a SINGLE PDF document including links to videos and other visual support material (max 25MB). Incomplete applications will not be considered nor will files found in the text section of the email.

 

Please write mentorship program in the subject heading of your email and send your application to info@videographe.org. An acknowledgment of receipt will be sent within 1 week of receipt.

 

Note that it is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have up to six months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + taxes per year and student membership fees are $25 + taxes per year.

 

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Mentorship Program does not guarantee that your work will be distributed.

 

For equity reasons, should you require any accommodations or need to submit your application in an alternative format, please contact the program coordinator at info@videographe.org or at (514) 521-2116 ext: 221.

 

Applicants will be notified by the end of June 2024. Please note that Vidéographe can only support 4 projects per year.

 

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Introduction to Isadora – The Video Installation Toolbox
Sam Meech

WORKSHOP

September 14th and 15th, 2024
Vidéographe, 4550 Garnier street, Montreal QC, H2J 3S7

125$ + taxes



Click here to register

Registration deadline: September 9th, 2024

Description

Do you want to run two videos running on two different screens at the same time? Do you want to easily projection map your video to a wall or an object? Do you want to include randomness in your installation? A two-day beginners workshop introducing artists to Isadora interactive video software and exploring how it can be applied to video installations. We will be considering: Multi channel video and configuring displays, synchronization, real-time effects, ‘scenes’ – structure, automation and randomization, adding a control panel, basic projection mapping, basic interactive triggers, optimization for performance, connecting to projectors and less common displays, configuring a mac mini to run your installation for a month, and exploration! Isadora is a tool I use a lot for my own arts practise within interactive installation and projection design for theater and dance. It is widely used in visual, performing, and interactive arts. I have taught many workshops to artists and non-artists, and I believe it has a super simple learning curve, so it is very easy to pick up.  It also has a very helpful community on the forums.

 

  • 12 hours of group training
  • Where: Vidéographe, 4550 Garnier street, Montreal QC, H2J 3S7
  • Dates and time: September 14th and 15th, 2024 from 10AM to 5PM (with a 1 hour lunch break)
  • Public transportation: Mount-Royal metro station; bus lines 27, 45 and 97
  • Cost: 125$ + taxes

 

This workshop will be given in English.

Please note that LSQ and ASL interpreters can be arranged. If you identify as d/Deaf and would like an interpreter, please contact Mick Sand before registering.

Mick Sand

info@videographe.org

(514) 521-2116 (extension 221)

 

For any additional information regarding trainings, please contact:

Mick Sand

info@videographe.org

(514) 521-2116 (extension 221)

 

About the workshop leader:


Sam Meech

Sam Meech is an artist and researcher from Huddersfield, UK whose practice includes documentary, video feedback installations, and machine knitted animations.

Previously a professor at Concordia University (Intermedia) and Manchester School of Art, Sam’s research interests include the use of video feedback in arts practice (‘Video in the Abyss’) and the impact of gentrification on textile workers in Manchester (‘Fabrications’). Sam’s experience in experimental film collections and exhibition includes a residency and commission with the North West Film Archive, UK (‘Noah’s Ark’), and even building two community cinemas through his ‘Small Cinema’ project.

He once hosted a 24-hour screening of Groundhog Day, and continues to make a new work each year based on the film.

 

This workshop was made possible thanks to the support of:

         

© Vidéographe

Free on Vithèque: 50 Years of the Moving Image

DIGITAL PUBLICATION

Vithèque



Over the decades, Vidéographe has not only evolved alongside technological advancements but has also served as a catalyst for experimentation, innovation, and artistic exploration. In this spirit, 50 Years of Moving Images pays tribute to this rich heritage, bringing together texts and perspectives from esteemed authors such as France Choinière, Julie Ravary-Pilon, Luc Bourdon, M Mensah and Sam Meech.

► Dive into the history and rich heritage of Vidéographe, now available for free on Vithèque. Click here to access the publication [+]