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fleurs, rose, champ vert

© Charlotte Clermont, How Flowers Never Became a Food Group, 2017

Advanced techniques on DaVinci Resolve (4 days)
with Guillaume Millet

Workshop

February 13-14-20-21, 2021
Online

90$ + taxes



18 hours of group learning

Workshop plan

Registration deadline: January 17th, 2021 inclusively.

Click here to register

The selected participants will be contacted during the week of January 18th, 2021. This workshop can receive 8 persons.

Description

This advanced workshop on DaVinci Resolve is aimed at participants who have experience with the software and who wish to deepen their knowledge in order to improve their post-production skills or find answers to outstanding questions.

During the four-day workshop, each participant will be provided with a laptop computer in order to carry out practical exercises which will allow them to better assimilate course learnings and solve various technical problems which will be discussed.

The objective of this workshop is for participants to become even more autonomous and seasoned when it comes to post-production on DaVinci Resolve. The aim is for technical challenges to no longer get in the way of creativity. A major part of this workshop will be focused on problem solving issues encountered by participants or finding answers to questions raised by the discovery of new tools or the consolidation of other tools.

Conditions of admission

This course is intended for artists or those working or seeking work in the field of media arts. Applicants should reside on the island of Montréal and be available throughout the duration of the course, which is partly funded by Emploi-Québec.

Computer and software

The training will be given online via Zoom. Participants are encouraged to use their own computers. Computers will be made available on demand for the duration of the course, subject to availability.

Where: Online
When: February 13-14-20-21, 2021 from 9:30 to 12:00 am and from 1:00 to 3:00 pm
Price : 90$ + taxes

This course will be given in French.

For further information about courses, please contact:
Charlie Carroll-Beauchamp
(514) 521-2116 (ext. 221)
info@videographe.org

 

Guillaume Millet

Guillaume has more than 25 years’ experience in the field of postproduction as an online and offline editor and, more particularly, as a colorist and motion graphic designer. He also works as an advisor and supervises production flow.

As he is passionate about technology and always on the lookout for new products, Guillaume is often consulted for projects from conception to delivery.

Guillaume has worked in various production and post-production companies in Europe as well as in Canada in fields ranging from documentary, feature films, international co-productions, television series, commercials, animations, and filmed stage shows.


					
				

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.