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Purple picture, tw o men kissing

© Marc Paradis, The Cage, 1984

Marc Paradis, an Ogre’s Desire

Launch of the digital boxset

Thursday, December 3 , 2020
Vithèque



Vidéographe is pleased to announce the launch of Marc Paradis, an Ogre’s Desire, a digital publication dedicated to the obsessive and transgressive work of a pioneer of queer video art in Quebec and Canada. 

Since his debut, Le voyage de l’ogre (1981), Marc Paradis (1955-2019) has interrogated notions of sexuality, the body and homosexual identity. His aesthetic oscillates between raw and explicit realism and a certain classicism, particularly in his representations of the body and in his pictural references. The texts, their literary quality and their declamation play a central role and lend a tragic resonance to these stories of love, sex, rupture and death. 

This bilingual publication includes three new essays by Luc Bourdon, Alexis Lemieux and Denis Vaillancourt. It also comprises the 17 videos Paradis made, including two previously unseen works, Ecce Omo and Marrakech. Six of the videos have been newly digitized from master tapes found in Paradis’ home and three have been subtitled in English. A rich selection of previously unseen personal documents is also presented, including notebooks, scripts, cuttings, casting photos and research files.

An online program will also be available to view for free on Vithèque from December 3, 2020 to March 8, 2021.
Access to the program on Vithèque [+]

 

Biography
Born in Montréal in 1955, Marc Paradis studied drama and visual arts. Between 1978 and 1990, he also trained with the likes of Józef Robakowski, Bruno Bigoni, Jerzy Grotowski and Michael Kriegman. Paradis became interested in video in 1981, when he did a screen test for French filmmaker Jean-François Garsi, for whom he worked as an assistant. He went on to make Le voyage de l’ogre, the first of his 17 productions. His works question and consider romantic relationships between men, desire, fantasy, and the representation of sexuality, at times playing with the borders of pornography. In 1984, he made Schème video [Video Scheme] with Luc Bourdon, followed by Say Cheese for a Trans-Canadian Look the following year, two works that look at video art in Canada. He also made portraits and video recordings of artists such as Denis Lessard, John Mingolla and Yves Lalonde. His work has received national and international recognition. Marc Paradis died in Montréal in the summer of 2019. 

 

The production of this publication was made possible thanks to the support of the Canada Council for the Arts.

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.