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deux hommes devant un miroir, l'un a une caméra

© Donigan Cumming, My Dinner with Weegee, 2005

Body-to-Body: The Works of Donigan Cumming

Digital boxset

Vithèque

Price of virtual boxset: $65



Vidéographe is pleased to present Body-to-Body: The Works of Donigan Cumming, the first in a new series of digital publications edited by Vidéographe. Compiling the 26 videos that Donigan Cumming has produced to date, as well as images of his installations, photographs, drawings and collages, this publication updates and completes the 2005 DVD boxset Controlled Disturbance.

We wanted to present the different facets of Cumming’s practice in order to highlight the common threads that unite his various bodies of work. Privileging an interdisciplinary approach, we have invited authors Zoë Tousignant and Fabrice Montal, a curator and programmer respectively, to examine his work from the perspective of art and film history. We decided to use this web-based format because it allowed us to showcase a wide range of different type of documents, including texts, videos and images, sound works, scripts and an audio interview with Cumming by Jean Perret, a cinéma du reel theorist.

The texts and material selected evidence Cumming’s creative fervour and his constant desire to destabilize and to relentlessly draw on the margins of society and of what is watchable, as well as on his own works.

The production of Body-to-Body: The Works of Donigan Cumming was made possible thanks to the support of the Conseil des arts et des lettres du Québec.

 

Link to Body-to-Body: The Works of Donigan Cumming

All text, sound and image can be accessed free of charge.
Price of virtual boxset: $65

All texts are available in English and French.
Videos are in English and available with French subtitles.

The videos are accessible via institutional and individual subscriptions or via our video-on-demand service.

 

BIOGRAPHY
Donigan Cumming is a Montréal-based artist whose multimedia practice includes photography, sound, video, drawing, text and collage, among other mediums. His works address themes such as the body, the boundaries between truth and fiction, taboos of representation, and social engagement.

Cumming began his career making sound installations and photographs in the 1980s. Early solo exhibitions included Reality and Motive in Documentary Photography (1986) and Moving Still (1999). In 1995, he began to work with video and in 1996 he was awarded the Telefilm Canada Award for Best Canadian Discovery (Festival du nouveau Cinéma, Montréal, 1996). His work has been shown in Canada and abroad, including at the New York Video Festival, the Whitney Museum of American Art, and the Museum of Modern Art. He has had numerous monograph exhibitions and retrospectives. His work has been the subject of much critical analysis and has been referred to in numerous theoretical works and reference books. His photographic and video work has been acquired for the permanent collections of museums and institutions in Quebec, Canada, and around the world. donigancumming.com

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.