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Image aux couleurs saturée, une femme avec une perruque rose et un

© Rachel Maclean, Make Me Up, 2018

dv_vd: Rachel Maclean

Online broadcast

April 23, 2020
Vimeo

Free



As part of the dv_vd screenings, Vidéographe and Dazibao are pleased to present the work of the Scottish artist and filmmaker Rachel Maclean. This programme comprises the feature-length film Make Me Up (2018) and the short Eyes 2 Me (2015). An interview with the artist, which was produced for her exhibition at the Kunsthalle Kiel museum (Germany), will introduce this broadcast.

Think YouTube aesthetic meets Matthew Barney meets Charles Dickens: the darkly comedic work of Rachel Maclean explores social roles, feminine identity, and the influence of the media in contemporary Britain. The over-the-top aesthetic of her costumes, make-up and vividly colored digital environments is cut through with an unwavering insight into the pitfalls of today’s image culture. An outstanding performer, Maclean plays all the roles in the majority of her videos. 

Download the programme [+]

 

► Access to the programme
(The link will be functional only during the broadcast)

 

Interview with Rachel Maclean
16 min

Make Me Up
UK, 2018, 84 min, digital video, VOA

This darkly-comic film takes a satirical look at the contradictory pressures faced by women today. It examines how television and social media can be fun and expressive spaces to explore identity, but simultaneously a gilded prison that encourages women to conform to strict beauty ideals.

Siri wakes to find herself trapped inside a brutalist candy-coloured dreamhouse. Despite the cutesy decor, the place is far from benign, and she and her inmates are encouraged to compete for survival while being watched over by surveillance cameras, 24/7.

Presiding over the group is an authoritarian diva who speaks entirely with the voice of Kenneth Clark from the 1960s BBC series Civilisation. As she forces the women to go head-to-head in a series of demeaning tasks, Siri, with the help of fellow inmate Alexa, starts subverting the rules and soon reveals the sinister truth that underpins their world. makemeupfilm.com

► Interview [+]

► Trailer 

 

 

Eyes 2 Me
UK, 2015, 3 min, digital video, VOA
Commissioned by Film London for Channel 4 Random Acts

Eyes 2 Me follows a doll-like protagonist named Sophie who moves through an enchanted garden inhabited by a race of cuddly Cyclopes known as the Eeblebops. As the video shifts between different formats (a children’s television programme, a fashion shoot and a probing interview), Sophie is surveyed, coerced and reprimanded by an omnipresent male voiceover, whose treatment of her moves from a tone of benign paternal care to one of cold, militant disapproval.

Shot entirely using green-screen, Maclean is the only figure in the work, miming to recorded audio and warping her features to create uncanny, cartoonish characters that exist within an oversaturated digital world.

 

Biography
Rachel Maclean, born in Edinburgh (1987), is a multi-media artist. Using film and photography, she creates outlandish characters and colorful fantasy worlds which she uses to build a vivid criticism of our society. Wearing colourful costumes and make-up, Maclean takes on almost every role in her films herself. She uses computer technology to generate her locations, and borrows audio from television and cinema to construct narratives with a comedic touch. Rachel Maclean has had many solo exhibitions in London, Edinburgh, Nottingham and places abroad such as Germany, Russia and others. In 2013, she received the Margaret Tait Award for her contribution to Glasgow Film Festival and was shortlisted for the Film London Jarman Award. Rachel Maclean was also selected to represent Scotland in Venice at the 57th International Art Exhibition of the Venice Biennale in 2017. She lives and works in Glasgow. rachelmaclean.com

 

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© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.