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© Edith Brunette et François Lemieux, Vases communicants

Edith Brunette et François Lemieux

LUX – Creation and dissemination residency

July 2019 – February 2020



Main Film, OBORO, PRIM and Vidéographe are pleased to welcome Edith Brunette and François Lemieux who are carrying out the LUX residency. During the course of this residency, the artists will develop a project based on gestures that will take the form of video installation and single-channel video, combining images of small sculptural objects, the gestures of the hands that create them and video footage found online.

Through these gestures, a future landscape is developed, cobbled together and evolving, that testifies to a logic of coexistence with a world that is chequered with infrastructures that program and divide – borders, human resource agencies, pipelines, surveillance networks – but is also streaked with movements that cannot be seized – migration, depression, disengagement, occupation, exhaustion, explosions, leaks; movements of unmanageable beings and materials that leave traces and call for further leaps, always.

Vases communicants signals a world in survival mode that seeks to assure its own sustainability by restraining the movement of materials, capital, and people, all the while assigning everything to its place – but such retention paves the way for eruption, and this world is leaking all over the place. Brunette and Lemieux’s research will involve the articulation of objects, filmed manipulations and texts to tell the story, in an experimental, poetic and critical manner, of the construction – and possible degradation – of this world.

BIOGRAPHIES

Edith Brunette

Edith Brunette combines artistic practice and theoretical research. In each of these she is concerned with the discourse – particularly within the art world – around the political forces at play. As an author and researcher, she is regularly published in various journals and art publications. She is a co-founder of the organization Journée sans culture and in 2017 she embarked on doctoral studies in political science at the University of Ottawa.

http://edithbrunette.net/en/home/

François Lemieux

The artistic activities of François Lemieux combine practice, research and publishing and take the form of installations, documents, and situations that are intended to encourage a collective reflection on notions of value, the everyday and the relationship to the norm. Lemieux has founded collective and independent projects including We left the warm stable and entered the latex void from 2008 to 2010 and the publication that he co-edits, Le Merle, Cahiers sur les mots et les gestes. Lemieux is co-founder of the organization Journée sans culture.

ABOUT LUX

LUX is a joint residency program offered by Main FilmOBORO, PRIM and Vidéographe that is dedicated to the creation and dissemination of moving images works by artists from Quebec and Canada. This Vidéographe initiative is supported by the Conseil des arts et des lettres du Québec’s Concertation et innovation program.  

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© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.