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© Kim Kielhofner, Reading Patterns, 2017

Kim Kielhofner
All the Images

LUX - Creation and dissemination residency

November 2018 - December 2020



Main Film, OBORO, PRIM, and Vidéographe are pleased to welcome Kim Kielhofner to the LUX residency. Through this residency, Kim Kielhofner will develop a synchronized two channel video work that investigates speculative fiction, or science fiction. Looking at diverse texts, she wants to look at the tropes and visual markers of the future represented across a range of media. She is looking for the idea of life in Simulacrum, what does it mean to experience freedom, and the simultaneity of time.

Kim Kielhofner’s practice involves working with drawing, writing, and the moving image through collection, collage, and narration. She has created many short video works that involve re-contextualizing archival or found material. These techniques embody a process that examines her environment and shifts through the narratives that are woven in it.

Working in video, the artist uses these narratives, particularly studying the historical implications of these in how we understand stories, how we remember, and how we place ourselves within them. Using techniques and footage from diverse cultural spaces, from cinema to Internet video to the home movie, she brings these together under narrative forms. The narrative sometimes punctuates, sometimes connects the image and sound. Kim Kielhofner uses timing, pacing, and the quality of the image itself to play off of each other to expand the space and create a layering of histories and meanings.

Her recent work has been based around the research and re-enactment of moments from cinema and literature. She takes examples dispersed across time and theme and create a constellation of connections and layers. Kim Kielhofner is interested in the possibilities of transformations in the repetitions of texts. Placing elements in incongruous contexts and creating a differing dispersion of images and texts allows for a peek under the mechanisms that have driven these texts. In this there is the possibility for further pathways and connections and ultimately a different understanding of how we ourselves are actors in these texts.

 

Biographie
Kim Kielhofner is an artist working in Montreal. She is known for videos, drawings, and books. She holds a Master’s in Fine Art from Central Saint Martins College of Art and Design (London, 2010) and a Bachelor’s in Studio Art from Concordia University (Montreal, 2007). In 2013, she won the Charles Patcher Prize for emerging artists from the Hnatyshyn Foundation. Her work has been shown internationally at festivals and exhibitions. She has had exhibitions of her work at VOX (Montreal, 2015), Sporobole (Sherbrooke, 2017), LUX (London, 2017) and Dazibao (Montreal, 2017). Giantpixie.com

 

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© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.